Spotfin Lionfish

Carved in 2005, a favourite of many who see it. Made from tupelo wood, walnut, dogwood, walnut, and basswood. The filiments on the large fins are made from reeds. The base is made from Thuya burl, which comes from Morocco and Algeria.

Ron detail carving Egret tail feathers

Good light and patience is required for detail work.

Work in Progress- Egret and Muskie

Leafy Seadragon - photo 2

Here is another view of the Leafy Seadragon carving. Notice that the seaweed, made from Tupelo wood and copper rod, is attached to the back of the Seadragon's head. The base is made from Tasmanian Myrtle Burl wood.

Sailfish and Juvenile African Pompano

Atlantic Sailfish and Juvenile African Pompano - 2008. Tupelo wood, Box Elder Burl, Purpleheart, steel and painted with acrylics.
 This carving was in the running for Third in World Decorative Lifesize at the 2009 World Fish Carving Championships, St. Charles, Missouri, but was edged out by a carving by world champion Bob Berry.

Bald Eagle and Brook Trout

Full size Bald Eagle, with feathers burned in. Painted with acrylics. - 1999

Great Egret and Muskie

This carving was made as a gift for a very special doctor. I presented it to him on Oct. 6 2016, at St. Joseph's Health Care, in London.

World Fish Carving Championships

"2007 World Fish Carving Championships"

Often I think back to the 2007 World Fish Carving Championships in Reno, Nevada. Prior to this event, I had competed in many competitions here in Ontario but this would be my first international competition. Little did I know it, but I was in for a big surprise! Some of the world's best fish carvers were there. Clark Schreibeis, Bob Berry, Jeff Compton, Lance Lyons, Andrei Tunikov, Dan Patterson, Teom Lim, Josh Guge, and others. All competing for the coveted Best in World titles, at the largest and most prestigious fish carving competition in the world. Several Best of Show wins in Ontario encouraged me to enter two carvings at the world show in Reno. The next decision was what to carve? It would have to be a very challenging and well executed carving if I was to have a chance of any kind of a win. I knew I had the technical skill to carve a difficult piece, but the painting was a different matter. A mediocre painting of the carving would not be good enough. So the plan was to create a carving that was such that the viewer would wonder, "How in the world did he do that?" It would turn out during the carving process that all my skills were required to "pull this off". At times I was not sure if I could do it, since problems like, how do I attach this extremely delicate carving to the base, and how do I ensure the carving will arrive at the competition without breakage? After many hours searching fish photos on the internet, it was decided the carving would be a Leafy Seadragon. Incredibly beautiful in shape and colour. There would have to be sufficient reference material for both the carving and painting. It was necessary to contact researchers in Australia for good photos of the long pipe-like snout and mouth. The Leafy Seadragon can be found in Australia's southern waters and nowhere else in the world. The most difficult part of the process was carving the fragile leaf-like appendages and not breaking them. Also for the longest time, I was trying to determine a way to attach this delicate carving to the base. Finally I came up with the idea of attaching the seaweed stem to the back of the fish's head. A small steel rod was required for strength, and is the only exception in the rules where metal can be used on a carving. The seaweed stem was constructed from copper rod and the remaining parts of the fish, seaweed, and base were made from wood. Even the eyes and tiny appendages below the snout and on top of the head were made from wood. The other challenge was coping with my arthritis, especially two very painful knees. Prior to the flight to Reno, I received cortisone injections in both knees to reduce swelling, pain and stiffness. Even with this help, it was still quite painful to make the long walks through the airports, around the competition areas, and standing for any length of time. After a long day, Susan and I finally arrived at the Silver Legacy Casino and Resort in Reno, Nevada. I attended a few of the seminars while at the show, and met some fellow carvers. Then came time to drop my carvings off at the convention centre where the competition was being held. For some odd reason, organizers would not allow competitors to carry their carvings into the competition area. Susan and I had a rental vehicle lined up and we drove around to take-in the sights, including Lake Tahoe. The three judges for the fish carving competition were Simon Blackshaw, Jeff Mourning, and Mike Orthober. All highly respected taxidermists and judges. The one hundred or so fish carvings were judged and ribbons placed on novice and intermediate level carvings but not on open class. When the competitors were finally allowed to view the carvings, no one knew who the winners in open class were. My carvings were critiqued by Simon Blackshaw who spoke very highly of my Leafy Seadragon. After the viewing of carvings, I did not expect to win anything as there were many extremely well done carvings. It was not until the banquet and awards presentation that everyone would find out who the major award winners were, not only in fish carving but also taxidermy. I had entered the Leafy Seadragon carving and a Spotfin Lionfish carving in Open Class, Decorative Lifesize. Andrei Tunikov from Russia took Third in World with a Sterlet (sturgeon) carving and received his awards on the "big stage". Then it was announced that I had taken Second in World Decorative Lifesize with my Leafy Seadragon. Needless to say I was astonished to hear that. So I made my way to the stage and the award was presented to me by Simon Blackshaw. It was a great honour not only to win second, but to have my award presented by Simon. Best in World Decorative Lifesize went to Clark Schrebeis for his sculpture, "Danger at the Cleaning Station". The World Taxidermy and Fish Carving Championships are presented every two years by the taxidermy magazine "Breakthrough". It was an amazing experience to attend the championships, one that I will remember for a very long time.

Major Competition Awards

Excellence in Decorative Wood Carving Leafy Seadragon Second in World Decorative Lifesize Second in Saltwater Fish Open Class World Fish Carving Championships, Reno, Nevada, U.S.A. 2007 Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2006 Best of Show Open Class Artistry in Wood Wildlife Carving Championship, London, Ontario 2007 Marlin and Flying Fish First in Realistic Natural Finish Category Natural Finish Division Open Class World Fish Carving Championships St. Charles, Missouri, U.S.A. 2009 Spotfin Lionfish Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2005 Second Best of Show Open Class Artistry in Wood Wildlife Carving Championship, London, Ontario 2006 Best of Show, Div 2 Open Class Windsor Wood Carving Museum, Competition, Windsor, Ontario 2005 Roosterfish and Flying Fish Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2004 Best of Show, Div 2 Open Class Windsor Wood Carving Museum, Competition, Windsor, Ontario 2004 Sockeye Salmon Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2003 Best of Show, Div 2 Open Class Kingsville Migration Festival, Kingsville, Ontario 2003 Second Best of Show Open Class Artistry in Wood Wildlife Carving Championship, London, Ontario 2004 Third in Open Class Canadian Woodcarving Championship, Hamilton, Ontario 2004 Brook Trout, Rainbow Trout and Perch Third Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2002 Best of Show, Div 2 Open Class Kingsville Migration Festival, Kingsville, Ontario 2002 Third Best of Show Open Class Artistry in Wood Wildlife Carving Championship, London, Ontario 2003 Brook Trout Group Second Best of Show, Div 3 Open Class Canadian Wildlife Carving Championships, Midland, Ontario 2001 Second Best of Show Open Class Artistry in Wood Wildlife Carving Championship, London, Ontario 2002 Best of Show Open Class Owls Nest Wood Carving Competition, Kitchener, Ontario 2002 Eastern Bluebirds Best of Show Open Class Ducks Unlimited, Northern Ontario Art and Carving Contest, Sudbury, Ontario 1989 Pintail Drake Decoy Best Novice Brighton Lions Sport Show Brighton, Ontario 1988

Marlin and Flying Fish

This carving won First in Realistic Natural Finish Category, Natural Finish Division, Open Class, at the 2009 World Fish Carving Championships, St. Charles, Missouri, U.S.A.  The Flying Fish are made from Figured Bubinga and the Marlin is made from Purpleheart.  Each Flying Fish is made entirely from one solid piece of Bubinga, with no glued inserts.

Leafy Seadragon - photo 1

I carved this Leafy Seadragon for the 2007 World Fish Carving Championships in Reno, Nevada. It won Second Best in World Decorative Lifesize. Made primarily from tupelo wood and painted with acrylics. I will post more information about this carving and the championships at a later date.